From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Utsavi Jha’s New EP ‘Khata’ Brings Her Honesty To The Forefront of Her Craft

Chhavi Sodhani’s ‘X-Axis’: A Soulful, Groovy Indie Pop Triumph

Ladyship’s ‘Drinking For The First Time’: A Breath of Fresh Air for Indian Indie Rock

Motherland: Spitty’s Anthem of Identity and the Power of Roots

‘Khuddar’: A Synthwave, RnB, and Everything In Between Album By AM.E.R

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

Why Music Events Should Be More Inclusive and Need Reforms

Offline Music Marketing Tools For Every Independent Musician

Release Spotlight #91- Acid Electronica, Experimental Rock, Lo-Fi Rock, & More!

10 Upcoming Northeastern Music Festivals/Tours To Watch Out For

Is Social Media Changing the Essence of Music?

“There are a number of reasons to be angry, to revolt and it all finds a way into our music” : In Conversation With Delhivision.

“Ten Singers Dubbing Four Times Is Never The Same As 40 Singers Recording Together” – In Conversation With The Indian Choral Ensemble